The former, applied to SD footage, will improve the image quality to help it integrate better with HD footage. Popular filters in the set also include DV Fixer and Up-rez. Want to change the color of a car in the background so it doesn’t draw the eye? Boris Continuum Complete can do it. Perhaps the film takes place in years past when mailboxes were green instead of blue. Color replacer is a cool effect that selectively changes one color in a defined portion of the screen. That still leaves plenty of tools for VFX artists to ply their trade. Adding atmospheric effects, such as rain, lightning, lens flares, light rays and depth of field blurs would have been the domain of high-end effects companies before, but now some of these can trickle down to the editor.
#Move foreground objects bcc sony vegas movie#
Boris takes them into the world of motion.īCC’s more wild effects are clearly suited to non-narrative works such as commercials, music videos, promo reels, bumpers, etc., while movie and TV editors might reach for the more subtle filters to enhance their narrative works. Many of these effects would be familiar to a Photoshop artist working with still images. For another project I applied a cartoon effect to recreate the look of the Charles Schwab commercials, and on another turned the video into an animated charcoal sketch. I used the dissolve rays effect, available in prior versions of BCC, to create flashy transitions in a short film I made about the World Trade Centers. It brought a sense of realism to a shot that otherwise would have looked fake. Changing the depth of field effect was as easy as choosing a shape and dragging a few sliders. For an actor’s demo reel that I edited, I applied the lens blur filter to a background movie that was keyed into a green screen shot in order to simulate depth of field and give the shot a more film-like look.
I was able to put my review copy of BCC7 to use almost immediately. But still it averages out at $5 per filter, an amazing bargain.
The entire Final Cut Studio suite is $999, so the BCC7 package of add-ons rivals the price of the base product. Purchasing that way would allow a buyer to pick and choose, of course, but soon the price would far exceed the package deal of the Continuum Complete series, priced at $995 (upgrade from earlier version for $295). Several, like extruded text and their new 3-way color grade, are offered as stand-alone filters, or units, priced from $99 to $399 each. Others are aesthetic, such as fancy wipe transitions, adding fake rain or snow to an image, or turning a real image into a cartoon.īoris has updated many of the filters included in prior versions of BCC and added 11 new ones. Some of the filters are utilitarian, such as those that clean up colors, brightness and saturation of video files to conform to broadcast requirements, or “disappear” a green screen behind the actors to replace it with another image. Will I ever really need inch worm, mango tango or neon carrot? Who knows, but I’m not giving them up.īoris organizes the BCC7 filters into 10 categories: 3D objects, distortion & perspective, color & blurs, effects, particle generators, keys & mattes, wipe transitions, lights, open GL and time. (Why can’t they just make everything with half-inch or three-quarter nuts?) Or like having the big box of 120 Crayola crayons. But it’s good to know they’re there, right? Kind of like having those 72 metric socket wrenches from Sears. It could take years for an editor or VFX artist to even try all 210 filters in the set, if ever. They promote BCC7 as “the Swiss Army Knife of Visual Effects, giving compositors and editors … over 200 plug-in filters including 3D objects, image restoration tools, distortion and perspective effects, generators such as snow, rain and fire, wipe transitions, keys and mattes, colors and blurs, and film, glow and cartoon effects.” In the case of Boris Continuum Complete 7, their own hoopla is pretty accurate. Boris Continuum Complete 7Ĭompany marketing claims are often overblown.
#Move foreground objects bcc sony vegas pro#
They all work in Apple’s Final Cut Pro and various other non-linear editors and compositing programs such as After Effects or Motion. This month we’ll look at three popular plug-ins. These add-ons are called plug-ins (even though nothing gets plugged into anything). In that time an entire industry has risen to provide add-on features for editing apps, giving even low-budget filmmakers awesome capabilities that were unthinkable just a few years ago. The advancement of computing power over the past decade has brought pro-level editing power to the masses with programs such as Adobe Premiere, Avid Media Composer, Sony Vegas and Final Cut Pro.
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